Frida: The Making of an Icon 3n4x6y

Exposición / Museum of Fine Arts Houston (MFAH) / 1001 Bissonnet / Houston, Texas, Estados Unidos
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Cuándo:
18 ene de 2025 - 17 may de 2025

Inauguración:
18 ene de 2025

Comisariada por:
Mari Carmen Ramírez

Organizada por:
Museum of Fine Arts Houston (MFAH)

ENLACES OFICIALES
Web 

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Etiquetas
Escultura  Escultura en Texas  Fotografía  Fotografía en Texas  Pintura  Pintura en Texas 

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Descripción de la Exposición

HOUSTON—June 4, 2025–In January 2026, the Museum of Fine Arts, Houston will debut Frida: The Making of an Icon. Conceived and organized by MFAH curator Mari Carmen Ramírez, the exhibition will trace Frida Kahlo’s posthumous transformation from a relatively unknown painter to global brand. Featuring more than 30 paintings by Kahlo that capture the arc of the painter’s artistic legacy, Frida: The Making of an Icon presents Kahlo and her art within the context of 120 works by five successive generations of artists: painters, sculptors, and photographers from an array of artistic and social communities and movements, who mined Kahlo’s paintings and personal history to claim her as their own. Frida: The Making of an Icon travels to the Tate Modern, London, after its premiere in Houston. Key contributions from the archives of the Documents Project of the ICAA (International Center for the Arts of the Americas) at the MFAH and Museo Frida Kahlo in Mexico City will be featured. Photographs and archival material, including the artist’s clothing, jewelry, and other personal items culled from Kahlo’s personal collections and other sources, provide additional context for the artworks. Frida: The Making of an Icon will be organized along themes that address how artists across five decades have responded to Kahlo’s work and appropriated it: from Kahlo’s Surrealist contemporaries of the 1930s to the communities within the Chicana/o movement of the 1970s, Mexico’s and the U.S. feminist and gay-rights activism of the 1980s and 1990s, and the identity-focused generations of more recent decades. A gallery of the exhibition will be devoted to “Fridamania,” displaying more than 200 objects generated by the global, mass-market production of Frida Kahlo merchandise. Commented Gary Tinterow, director and Margaret Alkek Williams chair of the MFAH, “This Museum has been at the forefront of Latin American art since the founding in 2001 of the International Center for the Arts of the Americas. While there have been numerous Frida Kahlo exhibitions around the world since the 1970s, Mari Carmen Ramírez has leveraged the unparalleled resources of our ICAA to document and assemble a fascinating group of objects that attest to the enduring appeal of Kahlo’s art and life.” “Frida: The Making of an Icon attempts to separate Frida Kahlo the artist from Frida Kahlo the phenomenon,” commented Mari Carmen Ramírez, Wortham Curator of Latin American Art at the MFAH and founding director of the Museum’s International Center for the Arts of the Americas (ICAA). “The exhibition reveals how the different facets of Kahlo’s complex persona(lity), which she so carefully crafted and projected, were adapted again and again over her decades-long transformation into an icon. As a result, her image became subsumed within the desires, fears, and hopes of artists and activists who transformed it into innovative proposals that transcend their source of inspiration while commenting on pressing issues of their place and time. In exploring that process, the exhibition re-establishes Kahlo’s own identity, and asserts her persistent relevance to contemporary art as well as activism over the past 70 years.”

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